Virtual Oasis, and bleak future-Ohio slums where actual bodies reside
Are the two worlds here. Some real clunkiness in the screenplay aside,
So much here's genuinely funny and clever.
I could watch Rylance’s Halliday forever,
Loved the audacious set pieces, and embraced this thrilling ride.
Nebraskan Safraneks (Audrey and Paul)
Are slated for a new life as Small.
Interesting concepts, but executed
In a way that often diluted
Potential depth. Plot ideas: too much sprawl.
Original, high-concept premise: a great start, But in the latter stages, it all falls apart. An ultra-swift Tonal shift Just doesn't work. (But Hathaway's great: the film's heart).
...
So here's a bunch of smart, pretty people in space, On the ISS (cue co-operating human race). But these characters had me surprised At some actions (ill-advised), In this quite ridiculous, but scary / fun survival-chase.
...
A mystery dozen arrive, and answers are sought. Across the world: situations most fraught. Profound moments. Super-tense. Adams' talent: it's immense. Lessons (communication; time) beautifully taught.
...
Abby and the team are out to give ghosts a whack. They hire Kevin (a twist on the old hot but slack). Naysayers may shun, But it's a big heap of fun. The highlight is McKinnon, who's an absolute cack!
...
Alton: a young boy, with powers prodigious. He's caught up with a strange religious Doomsday cult The overall result: Some story problems, but the acting's prestigious.
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To an animal's fate these singles are resigned, As towards the deadline they see the clock wind. Each black comedy action and word Is deliciously surreal and absurd. Come follow David as he learns that love is blind.
...
Drama, humour and a compelling plot. Strong performances, and beautifully shot. An ode to collaboration In an impossible situation. A magnificent return to form for Scott.
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Superhero tale (the old good-versus-bad battle waging) Led by Rudd's Lang (an ex-crim so affable and engaging). The ride is fun. Biggest technical stun: Douglas' amazing transformation (flawless de-aging).
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Interesting core premise that had so much potential To explore the science and philosophy (existential) In its story execution. But the plot (and resolution) Are a mess (High stakes? Well, they felt inconsequential).
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Time travel journey that's truly compelling,
With the highlight: John's life-story telling.
Stellar performance from Snook.
Following along, my brain shook ...
The special effects are incredibly impressive.
The apes: mind-blowingly expressive!
But there's story depth too:
The characters' emotions ring true ...
Glazer mixes Species & Kubrick,
With Scarlett doing an alien Posh Spice schtick,
Hard work with some reward,
Film critics have adored,
This confusing but alluring sci-fi flick.
The first fifteen minutes made a great impact,
But after that the film really lacked
The pull to keep me engaged.
Weak script left actors upstaged
By the creatures and the destruction they enact.
Qohen's existential angst leaves him terminally tormented,
And those around him just think he's demented.
Filmic strangeness and chaos at play:
Unfortunately, not in a good way.
Frustrating to watch (my patience tried, and dented).
Tech's dichotomy: humanity is losing and gaining.
An interesting struggle, though story logic takes a caning.
Yes, it was clearly a mess,
But I really must confess:
I still found it quite compelling and entertaining.
It's a superpower you can't beat:
Into a 'dark place' Tim can retreat,
Then break physics' laws.
(Re: rewind and pause)
...
Foster's not at her best, but Damon's strong.
The folks on Earth have been underdogs too long,
While on Elysium life is breezy.
And though some lines are cheesy ...
