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Six years after his iconic Steps sequence (Odessa),

Sergei’s in Mexico with just a white suit in the dresser.

Love’s his new incentive.

The film’s extravagant and inventive.

I craved more about the filmmaking of this transgressor.

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In the Basement (2014)

Among this unique collection of folks Seidl has found, Eccentricities and secret predilections abound. There re various types of kooky...