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A terrifying, morally outrageous story expertly told:
Malignant corporate practice secrets unfold …
Perpetrated by DuPont (giant, global).
Ruffalo: riveting in this crusade (noble)
RE: toxic products (unconscionably seeping & sold).

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Price Hal’s the reluctant inheritor of dad’s grand dominion.
There’s enemies everywhere, and advisors with many an opinion.
As a new King conflicted and pivoting
Chalamet’s work here is riveting.
Stunning cinematography (and costume design: be it ruler or minion).

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Phenomenal performance by Zellweger: soul-bearing …
Captivating as an icon-on-hard times, despairing.
But sadly, within a film that’s mired
In a screenplay so uninspired.
Some flashbacks: so on-the-nose, they’re badly glaring.

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In McKay’s look at this VP who had powers unchecked,
It seems there’s no trust that the audience will connect
The dots themselves.
So it’s all over-spelled.
Trying hard to be clever. Comes out smug. No real attempt to reflect.

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So the young candidate’s supporters and volunteers follow
Along for the race. Then Hart’s sprung. Cue to: him wallow
In self-righteous indignation.
Any filmic drama? No, stagnation.
… In this pedestrian offering with no grunt (just feels hollow).

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The tech elements produce impressive sights to behold,

But the film can’t be saved by the visuals (however gold)
Because it’s devoid of heart.
It’s detached from the start,
And the accompanying human story is so empty and cold.

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90s France. ACT UP folks fighting so hard, but
The state stalls, and out they’re shut.
Brilliant script. Deft direction.
Biscayart’s performance: perfection.
An exquisitely structured punch in the gut.

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A young life lost, and the Senator’s worried his career will sour.
Terrific work from Clarke (Re: Ted’s darkest hour).
Advisers descend (to handle
The impending tabloid scandal).
An engaging study of hubris, privilege and power.

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A simplistically told tale of the presidency that began
With the demise of the second son from the Kennedy clan.
There’s drama in his fight for Southern backing.
But, sadly: overall, the film is lacking
Any real depth of insight into Lyndon the man.

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Those on the murderous leader’s list couldn’t duck it.
(Including Maria’s fam) So a note: she stuck it
In his record sleeve.
Iannucci and team achieve
Hilarious results (after old Joe kicks the bucket).

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Ellsberg knows secrets, and while employed at RAND
Wants hard truths exposed, and takes a brave stand.
Spielberg’s work had me riveted:
Tense, as outcomes pivoted
On Kay’s decision (a superb Streep) re: playing The Post’s hand.
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Chastain is commanding, in her fearless depiction Of Antonina, in this extraordinary story (non-fiction): Amidst a multitudinous atrocity, An enormous act of generosity. Superb visual elements: from beauty and light to dereliction.

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Poison bigot Irving makes outlandish libel claim Against Lipstadt, serving to fuel his dubious fame. Compelling true drama (court). Hare's screenplay: mostly taut. Weisz: strong. Wilkinson: shines when Rampton takes aim.

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